A split-panel comic illustration in landscape orientation. Left: A red-haired woman, Barbara Gordon as Oracle, in a wheelchair at a glowing tech command center, bathed in golden light. Right: The same woman in a dark superhero costume, Batgirl, leaping through a blue-lit gothic cityscape.

The Superhero Who Couldn't Save Herself: Barbara Gordon and the Politics of Miraculous Recovery

Barbara Gordon closed the Birds of Prey case file for the last time on a Tuesday evening in September 2011, twenty-three years after the Joker’s bullet had transformed her from Batgirl into something DC Comics would eventually decide was far more dangerous: a disabled hero who didn’t need fixing. The notification glowed on Jill Pantozzi’s phone at 2:47 PM. DC Comics was calling her personally—not because she was a prominent comic journalist, not because she wrote for Newsarama, but because she was a wheelchair user with spinal muscular atrophy who had found herself reflected in Oracle’s story. “They knew I’d have a strong reaction to it,” Pantozzi would later recall. ...