<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Kane-Parsons on Notes from the Rabbit Hole</title><link>https://magnus919.com/tags/kane-parsons/</link><description>Recent content in Kane-Parsons on Notes from the Rabbit Hole</description><generator>Hugo</generator><language>en-US</language><copyright>© [Magnus Hedemark](https://github.com/magnus919)</copyright><lastBuildDate>Wed, 16 Sep 2026 16:40:15 -0400</lastBuildDate><atom:link href="https://magnus919.com/tags/kane-parsons/index.xml" rel="self" type="application/rss+xml"/><item><title>The Sun in the Backrooms: Coincidence, Clues, and Kane Parsons's Unfinished Mystery</title><link>https://magnus919.com/2026/09/the-sun-in-the-backrooms-coincidence-clues-and-kane-parsonss-unfinished-mystery/</link><pubDate>Wed, 16 Sep 2026 16:40:15 -0400</pubDate><guid>https://magnus919.com/2026/09/the-sun-in-the-backrooms-coincidence-clues-and-kane-parsonss-unfinished-mystery/</guid><description>&lt;p&gt;I&amp;rsquo;ve watched the Backrooms movie about five times, and I expect I&amp;rsquo;ll watch it again. Kane Parsons&amp;rsquo;s work rewards that kind of return visit. There is too much detail to absorb in one pass, too much reality woven into the fiction, too many things that seem to be waiting just outside the frame. A background document might be a throwaway or it might be a key. A date on a form might mean nothing or everything. The videos invite obsessive attention without handing over an easy answer.&lt;/p&gt;</description></item></channel></rss>